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12:22 PM art
Christophe Bruno is a French net-artist (yes, like in net.art) based in Paris. His mostly web-related work deals a lot with questions related to language and has been widely shown. He gained a lot of recognition for his "AdWords-Happening" with which he has won a honorable mention at the 2003 Ars Electronica. He's had his first solo-show at the gallery Sollertis in Toulouse and recently he was invited to Transmediale 06, where his "Human Browser" attacked the unsuspecting art-crowd with her googled ramblings. Being so prolific and funny, it's about time that we take a closer look at Monsieur B!
Then I've been exploring wireless technologies, as in WiFi-SM . But I think that parody (well it's not a parody anymore since I built the device since then) also tells you something about my position concerning the relation I see between art and technology. I have strong attachments to the original net.art movement but I don't consider myself as a digital artist, term which doesn't mean anything to me.
'90s .
activism .
advertising .
architecture .
ars electronica .
augmented reality .
body .
cloclo .
cybersonica .
cyborgs .
design .
entertainment .
events .
events : COMPETITIONS .
gadgets .
games .
green .
inflatable .
installation .
interview .
journalism .
labs .
life online .
locative .
machine 2 machine .
nanotechnology .
politics .
privacy .
rfid .
robots .
security .
sex .
small talks .
software .
sound .
sousveillance .
space .
street .
telephony .
transmediale .
transport .
trends .
ubiquitous computing .
venice biennale .
vintage .
wearable .
wifi .
March 06, 2006
Interview with Christophe Bruno
+ interview
Sascha: Can you tell in a few sentences what most of your work is about?
Christophe Bruno: If you look at my work, I guess you will find that it mostly deals with the idea of diverting global symbolic structures like Google search engine, news portals or the blogosphere etc. I made quite a few pieces using language as a medium, but trying to grasp what I thought had been renewed by the rise of the Web: Semantic capitalism , Joycean epiphanies or formerly ...
I also made some pieces about the question of the image, but always in relation to language or to some critical context, like fascinum or non-weddings
S: When you talk about global symbolic structures and semantic capitalism, in how far do you believe this is having a major impact on more than the way that people communicate? Will an Internet of things make a difference?
C.B.: I guess that the Web, and Google more precisely, have been the revelators and accelerators of some large-scale trends that existed before in a latent way. Looking at the relations between money and language, the first clear occurence I found was in a poem by Stephane Mallarmé, called "Crisis in verse", in 1887, where he compares the use of language to the exchange of coins of money, passed on from hand to hand in silence. This amazing intuition opposes a prosaic use of language to what he redefines as poetry, evoking «la disparition élocutoire du poête»: the vanishing of the poet behind the words.
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